Archive | Workshops + Training

Free Financial Advice for Artists

Posted on 12 October 2010 by Andy Horwitz

Free Financial Advice for Artists and Independent Workers | Oct 23, 2010

The Department of Cultural Affairs, the Department of Consumer Affairs Office of Financial Empowerment and City Councilmember Jimmy Van Bramer will present the second Art of MoneyPersonal Finance Resources for Artists event offering FREE one-on-one financial counseling and workshops to help working artists, arts administrators, and independent workers reduce debt and manage credit. The event takes place Saturday, October 23, from noon to 5 PM at the LaGuardia Performing Arts Center in Long Island City, Queens (31-10 Thomson Avenue at 47th Avenue).

Visit nyc.gov/artofmoney for more information.

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Playwriting Workshop with Migdalia Cruz and John Jesurun

Posted on 08 August 2010 by Andy Horwitz

Monarch Theater NYC presents award-winning playwrights Migdalia Cruz and John Jesurun, two artists known for their spirited and multidimensional approach to writing for the theater. The twice-weekly intensive playwriting workshop runs from October 5-November 30, 2010.

The Playwriting Intensive is a rare workshop opportunity for serious early-career playwrights to work closely with experienced mentors and focus intensely on developing a specific work. The eight-week workshop concentrates on developing the individual voice of the playwright in an atmosphere that is both disciplined and open to diverse ideas and approaches. Participants are given the option to focus on exploring the creative initiatives that move their own work.  Constructive, rigorous discourse is integrated with a flexible work session environment. The varied directions of the participants are facilitated through alternating sessions with Cruz and Jesurun. The Playwriting Intensive process features individual and group assignments, mentorship, guest talks, theater visits, feedback, a retreat, and a public reading of scripts with actors. Monarch Theater NYC welcomes playwrights who seek to expand and enrich their work in a supportive and dynamic atmosphere. Workshop limited to ten students.

Monarch Theater is dedicated to staging contemporary theater that challenges and excites the creators and audience alike. Our interest in a wide variety of texts has led to the creation of not only stage plays but movement based pieces, puppet shows, podcasts, media and radio plays. Working with artists from different disciplines is essential to our mission in creating a laboratory for new work in collaboration with those who challenge the political and theatrical status quo. Recently supported projects this year include: LIZ ONE by John Jesurun, GHOST STORIES directed by José Zayas and DAYS AND NIGHTS directed by Byungkoo Ahn.

Intensive Information
When: October 5, 2010-November 30, 2010
Tuesdays and Thursdays, 6:30-9:30 PM

Where: La MaMa rehearsal studios at 47 Great Jones St

To Apply: Guidelines at www.monarchtheater.org

Tuition: $750
Limited Scholarships Available

MIGDALIA CRUZ has written more than forty plays, operas, screenplays, and musicals including Fur, Miriam’s Flowers, Salt and Another Part of the House, and has been produced in venues as diverse as National Theater of Greece/Athens, Old Red Lion/London, Houston Grand Opera, Ateneo Puertoriqueño, Brooklyn Academy of Music, En-Garde Arts, HOME, Shaliko Company, New York Shakespeare Festival’s Festival Latino, Theatre For The New City, WOW Café Theatre (New York), and Latino Chicago Theater Company (where she was writer-in-residence from 1991 to 1998).  She is an alumna of New Dramatists, and was mentored by Maria Irene Fornés at INTAR.  Her play, El Grito Del Bronx, had its world premiere in July 2009 at the Goodman Theater in a co-production of Teatro Vista and Collaboraction. Her play Telling Tales (sand & fire) will be produced fall 2010 by the University of Puerto Rico.
Her work has been published in several anthologies, including the recently released El Grito Del Bronx and Other Plays through NoPassport Press. Cruz has been awarded several grants including two NEAs, a McKnight Fellowship, a Kennedy Center Fund for New American Plays award, a PEW/TCG National Artist Residency, a Massachusetts Cultural Council Award, and a Connecticut Commission on the Arts grant.  She has taught playwriting at many universities including Princeton University, University of Iowa, NYU, and Amherst College.  She is currently at work on both an adaptation of the Satyricon, and Two Roberts, a play with music based on the lives of Roberto Cofresí and Robert Johnson with the Lark Play Development Center. Migdalia received her MFA degree from Columbia University and was born and raised in the Bronx.

JOHN JESURUN is a MacArthur “Genius” award-winning playwright, director, and designer living in New York. His presentations integrate elements of language, film, architectural space, and media. His exploded narratives cover a wide range of themes and explore the relation of form to content. They challenge the experience of verbal, visual and intangible perceptions. Jesurun’s work is distinguished by his integrated creation of the text, direction, set, and media design. Jesurun earned a B.F.A. from Philadelphia College of Art, 1972, and an M.F.A. in Sculpture from Yale University. From 1979-82, he was Assistant to Producer for The Dick Cavett Show producing shows on John and Mackenzie Phillips, John Hammond Sr., Odetta and Tito Puente. In 1982 he began at the Pyramid Club in the East Village with his groundbreaking serial play CHANG IN A  VOID MOON, now in its 60th episode. (Bessie Award). Since 1984 he has written, directed, and designed  over 25 pieces including: the media trilogy of  Deep Sleep (Obie Award), White Water and  Black Maria. Others include: Everything That Rises Must Converge, Philoktetes, Slight Return, Faust/How I Rose, Firefall, Liz One and Snow. His work has been presented internationally at a wide number of venues and festivals, most extensively in Mexico.

Jesurun is the recipient of numerous grants, including Rockefeller, Guggenheim, NEA, and Foundation for Contemporary Arts fellowships. Teaching includes Goethe University/ Frankfurt, Justus Liebig University/ Giessen, DASARTS/ Amsterdam, Tokyo University, Kyoto University of Art and Design, NYU, and the New School. His work is published by Performing Arts Journal, Ediciones El Milagro, Theater Communications Group, Sun and Moon Press, Theater der Zeit, and Yale Theater Magazine.  New publications include “Shatterhand Massacree and other Media Texts” on PAJ and “ A Media Trilogy” on NoPassport Press.

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Register for EMPAC's LIVE.MEDIA+PERFORMANCE.LAB August 16-22

Posted on 28 June 2010 by Andy Horwitz

There is still time to register for EMPAC’s summer lab for interactive media in performance, which will be held August 16-22, 2010. Directed by Johannes Birringer and Mark Coniglio, the workshop offers intensive training and possibilities for experimentation with mixed reality and real time architectures, programmable environments, interactive design and the integration of time-based media into live performance and installation.

The workshop addresses emerging and professional art practitioners, scientists, researchers, and students from different backgrounds in performance and new media committed to sharing their interest in developing a deeper understanding of composing work focused on real time, interactive or time-based experiences and multidisciplinary collaborative processes (video, sound processing, projection design, lighting, choreography, and directing).

Applications due JUNE 30th, 2010. Click here for more information.

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Go to Summer School at EYEBEAM

Posted on 26 April 2010 by Andy Horwitz

EYEBEAM ART AND TECHNOLOGY CENTER presents SUMMER SCHOOL 2010 MASTERCLASS series

University students and emerging practitioners are invited to join Eyebeam for a new series of studio-based masterclasses conceived of and led by our Fellows and their collaborators. Registrants will have studio access to relevant tools and equipment during the course period, and get to enjoy being part of our community while making new work during the week spent here.

Summer School 2010 has been organized as part of Re:Group: Beyond Models of Consensus, an exhibition examining “models of participation & participation as a model, presenting work that encourages subversive participation, intervenes into existing systems, or envisions new alternatives.” Summer School at Eyebeam is an annual program, and will also include a series of evening lectures and performances, workshops, and a youth program. For a complete schedule, see eyebeam.org.

OPEN ENROLLMENT
Silver Surfers (School)

Led by Eyebeam Fellow, Jacob Ciocci
Monday, July 12 – Friday, July 16, 2010
10AM–6PM, daily
Course fee: $485
Program participants will enter into a creative collaboration with Jacob Ciocci (of Paper Rad fame) and the NYC elders he is currently working with to create video collages that will remix original footage they shoot with the elders, with found material sourced from popular media forms. Students will learn how to use basic green screen techniques and Flash animation, as well as how to archive, edit and remix found footage. Final videos will be screened at Eyebeam as part of our Summer School public program series.
Students are encouraged to bring their own laptops with a newer version of Adobe CS installed.

APPLICATION PROCESS
Visual Music Collaborative

Led by Eyebeam Fellow, Aaron Meyers, with Re:Group artist Aaron Koblin
Monday, July 19 – Friday, July 23, 2010
10AM–6PM, daily
Course fee: $485
Invited participants will explore the relationship between music, sound and dynamically generated imagery and motion. Topics will include sound analysis techniques, advanced OpenGL programming and interfacing with mobile devices for control. Guest speakers and musicians will provide additional insight. The masterclass will culminate in an event where participants will perform using work created during the week.
Participants will be invited via an application process. Applications are due May 21, and participants will be notified by May 28. See website registration page for prerequisites and application details.

OPEN ENROLLMENT
Alternative Controls for Games & Play
Led by Eyebeam Fellow, Kaho Abe
Monday, July 26 – Friday, July 30, 2010
10AM–6PM, daily
Course fee: $485
In recent years, alternative game controls like the Wii, Playstation Eye, and Guitar Hero have changed the way we interact with games. Participants will explore further the possibilities of this vast world of Alternative Game Controls through hands-on demonstrations and exercises using various sensors, switches, computer vision, the Arduino, code and more. Through discussions, critiques, guest speakers and the process of designing their own working prototype, students will develop fundamental knowledge of technologies that can be used for alternative game controls.

This course is geared towards game designers. A basic understanding of game design and coding is required. Some knowledge of physical computing is a plus, yet not required.

REGISTER: http://www.eyebeam.org/events/summer-school-2010
Download a flyer: http://www.eyebeam.org/sites/default/files/EyebeamMasterclasses2010.pdf

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Lecoq Training in NYC

Posted on 16 April 2010 by Andy Horwitz

Movement Theater Studio Directors Richard Crawford and Adrienne Kapstein (a husband and wife team based in Brooklyn and trained at Lecoq) have long wanted to create a home for the teaching of Lecoq in New York and personally have been responsible for introducing the technique at several prestigious training schools on the east coast including Yale, NYU, Stella Adler Studios and SUNY Purchase. They are award winning theater artists themselves who are also excited to announce that Jacques Lecoq’s widow, Fay, will visit the studio to lecture on occasion. This is a great opportunity to get some intensive training.

SUMMER 2010 PHYSICAL THEATER INTENSIVES
JUNE 21 – JULY 2

NORMAN TAYLOR (MASTER TEACHER)
Introductory Class Lecoq Technique
June 21st – 25th 9am-2pm

A unique opportunity to develop a heightened sense of the body in performance with one of the world’s greatest teachers of acting. Norman Taylor taught alongside Jacques Lecoq for twenty years.

Advanced Lecoq Technique
June 28th – July 2nd 9am-4pm

For students who have studied Lecoq’s approach previously and want to deepen their understanding with the aim of creating original material.

RICHARD CRAWFORD (THE FLYING MACHINE)
Neutral Mask
June 21st – 25th 3pm-6pm

Actors will gain greater control of their body on stage and discover an open, responsive physical instrument, free from habit and able to yield to the demands of character and story.

Visit www.movementtheaterstudio.com for further details

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LIVE.MEDIA+PERFORMANCE.LAB at EMPAC

Posted on 07 April 2010 by Andy Horwitz

EMPAC announced their first summer lab for interactive media in performance to be held August 16-22, 2010. Directed by Johannes Birringer and Mark Coniglio, the workshop offers intensive training and possibilities for experimentation with mixed reality and real time architectures, programmable environments, interactive design and the integration of time-based media into live performance and installation.

The workshop addresses emerging and professional art practitioners, scientists, researchers, and students from different backgrounds in performance and new media committed to sharing their interest in developing a deeper understanding of composing work focused on real time, interactive or time-based experiences and multidisciplinary collaborative processes (video, sound processing, projection design, lighting, choreography, and directing).

Résumé and informal letter of application are due by June 30, 2010. More information on this workshop can be found on the EMPAC website.

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BAUDRILLARD CAMP

Posted on 03 February 2010 by Andy Horwitz

This just came in across the transom and seems fascinating on many, many levels:

BAUDRILLARD CAMP at Trade School Feb. 8-22nd
139 Norfolk St., NYC

Misunderstood as a “cynic” advocating moral relativism and apathy, Baudrillard is actually an exemplar of a melancholic postmodernism lamenting the evacuation of “authenticity,” “agency,” and political autonomy in a hyper-mediated world where the virtual has overtaken the actual, simulation has usurped the role of representation, and the destruction of the reality principle leaves us floundering in a Truman Show-like vertigo of bloated floating signifiers with no referents. Far from advocating complicity with the conditions he portends, Baudrillard’s excoriating critique is a form of political resistance against an ineluctable condition.

Baudrillard Camp is a three-day workshop to review, clarify, and immerse ourselves in Baudrillard’s dystopian prognosis of the deterrence of the real by the virtual, information’s profound function of deception, and spectacle as the terminal condition of late capitalist society.

Session One: Theory of the Hyperreal Monday, Feb. 8, 6-8PM

Bypassing the binary opposition of real/unreal, the “hyperreal” is that which no longer refers to an origin outside of itself but is its own simulacra. Neither true nor false, the hyperreal negates the reality principle altogether. We will review the first, second, third and fourth orders of simulacra, the affinities with Debord’s Society of the Spectacle, the roots of his theory in Saussure’s idea of the signified and the signifier, and Baudrillard’s rejection of Marx’s simplistic distinction of “false” and “true” consciousness.

Session Two: Baudrillard and War–Antonio Serna Monday, Feb. 15, 6-8PM

Baudrillard’s 1991 essay “The Gulf War Did Not Take Place” describes the sanitization of traditional wartime conflict and adversarial confrontation with “clean war,” media spectacle rehearsed as an abstracted videogame with anti-septic “collateral damage”. We will look at the ramifications of the theory of simulacra for wartime conflict, as well as motifs of the hostage, the non-event, the non-war, and simulation’s role in Cold War deterrence. There will be a screening from Antonio Serna’s series “Appropriate War,” a series of strategic interventions into the simulacra.

Session Three: Media Theory vs. Literary Criticism Monday, Feb. 22, 6-8PM

How Baudrillard is used differs greatly, depending on the social sciences vs. the arts. Sociology and media theory recuperate him into a Marshall McLuhan-like empirical debate about the nature of media’s impact on society, whereas the visual arts react to his critique not so much as literal prescriptions, but as a rhapsody of poetic incantation that is part of a larger postmodern assault on modernist assumptions of truth, falsity, self, and human agency.

Grand Finale: Baudrillard Bonfire Friday, February 26, 6PM

Bring your own notes, readings, passages, questions and presentations on Baudrillard to share. Has Baudrillard become so popularized as to become a Zizek-like digestible form of pop culture? Is Baudrillard a cynic advocating we smugly resign ourselves to these conditions or a romanticist trying to galvanize our resistance to them? Baudrillard Fun Packs will be distributed (Vocabulary Cards, quotes, and B-knick knacks).

Baudrillard Camp is curated by the Naxal Belt/Andrea Liu for Trade School.
http://replaceandrea.blogspot.com

ABOUT TRADE SCHOOL

Trade School is a month long experiment in pedagogy, collectivist organization, and alternative counter-economies with classes in artist union organizing, the relationship between art production & economy, and more. With a non-hierarchical rhizomatic organizational structure, Trade School seeks to avert the dollar system and operate solely on barter. Teachers are compensated in studio work space and students pay for class by bringing goods to trade.

http://tradeschool.ourgoods.org/
http://www.gopublicprojects.com/store/trade_school/

article on Trade School in Rhizome:
http://www.rhizome.org/editorial/3241

NOTE: Sessions 1, 2, and 3 will be held at Trade School; the Baudrillard Bonfire will be held at the Naxal Belt, 175 Jefferson Street, Bushwick, NY.

Trade School is a project of Caroline Woolard’s OurGoods. Circumventing the circuit of super-commodity art objects, OurGoods is a network premised upon radical autonomy and self-organization outside of capitalist individualist models of private property exchange. OurGoods is not based in theory or discourse, but pragmatic action. In the vein of the Russian Constructivists, OurGoods seeks and implements new kernels in the operational infrastructure of art, society, and economy.

www.OurGoods.org

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MUSIC AND PODCASTING CAMPS FOR TEENS!!

Posted on 10 July 2009 by Andy Horwitz

Is your teen really into music or multi-media? Nurture their interests at a Harvestworks Summer camp program. This year we will again be offering our popular Digital Music Camp and our new Podcasting Camp both for ages 14-18.

DIGITAL MUSIC CAMP - Click here for a complete curriculum
Ages 14 – 18
Instructor: Gisburg
JULY 20 – 31, Monday – Friday 1pm – 5pm
Cost: $650 + $75 for the membership
Over the course of two weeks we will learn the complete process of music production. Beginning with creating our original musical material together, we will record in our studios, edit and mix using ProTools software, master and design our finished CD and perform a concert at Harvestworks on our final day.

Note: Musicians have to be on a medium level and have to have interest in every aspect of creating a “professional” music product.

Click here to sign-up

PODCASTING CAMP - Click here for a complete curriculum
Ages 14 – 18
Instructor: Gisburg
JULY 20 – 31, Monday – Friday 9am – 1pm
Cost: $650 + $75 for the memberships
In this Camp we will produce a finished Podcast, which includes script writing, recording techniques, and sound editing using the ProTools and Garageband software platforms. We will also learn how to build an easy website for posting the Podcasts on the web.

Podcast (defined):  The distribution of audio or video files, such as radio programs or music videos, over the internet using either RSS or Atom syndication for listening on mobile devices and personal computers.

“The medium that promises a future where anyone can make radio, instead of just listen to it.” – Wired Magazine

Click here to sign-up


Harvestworks is a non-profit arts center in Lower Manhattan. Private funding for our programs has been provided by the Andy Warhol Foundation for the Visual Arts, the Jerome Foundation, the Mary Flagler Charitable Trust, the New York State Music Fund, the James E. Robison Foundation, New York Community Trust, the Carnegie Corporation, the Aaron Copland Fund, the Greenwall Foundation, the Edwards Foundation Arts Fund, the Trust for Mutual Understanding, Materials for the Arts, the Experimental TV Center and mediaThe foundation Inc. Public Support is provided by New York State Council on the Arts, the National Endowment for the Arts and the NYC Dept. of Cultural Affairs. Thanks to our Friends Circle, Cycling74, Digidesign, Inc. and NHT Pro.

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Curatorial Masterclass at EYEBEAM

Posted on 28 June 2009 by Andy Horwitz

An initiative of Eyebeam’s Summer School program, the Curatorial Masterclass will be led by Eyebeam research partner Sarah Cook from CRUMB, the online resource for curators working with media art. The series will be an opportunity for emerging and established curators of art to get together within a focused period of time to learn from each other’s practice, and to develop a greater understanding of curating, open source methods, and working in the public domain.

Through filmed discussions with guests such as Hans and Liz Bernhard, Steve Dietz, Patrick Lichty, and Eyebeam executive director Amanda McDonald Crowley, the Curatorial Masterclass will examine the following themes:

Day 1: Tues., July 7, 3–5PM
What open source is and what it means for art
Guests: Curator, Scott Burnham (Creative Director, Montreal Biennial 2009); Dominic Smith (co-founder, Polytechnic, UK)

Day 2: Thur., July 9, 3–5PM
Fair use, copyright, and the role of publication and documentation in curatorial practice

Day 3: Tues., July 14, 3–5PM
How to manage collaborations and networks effectively with new media tools
Guests: Eyebeam Executive Director, Amanda McDonald Crowley; curator and artist Patrick Lichty

Day 4: Thur., July 16, 3–5PM
Working in the public domain
Guest: Curator, Steve Dietz

Day 5: Tues., July 21, 3–5PM
Getting to know your audiences and useful evaluation

Series Format: The first hour of each day will be a formal conversation modeled on CRUMB’s tea-time chats, and will feature established curators and artists. The second hour will be a rigorous participant driven discussion, building upon the first hours themes and insights. Following each presentation and workshop, participants will have the opportunity to stick around for beer o’clock and conversation with presenters and fellow masterclass participants, as well as participants from other Eyebeam Summer School programs.

Registration will be strictly limited.
Please register online here:

https://salsa.democracyinaction.org/o/528/t/9265/shop/shop.jsp?storefront_KEY=664

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BODY; SOUND; OBJECT; STORY

Posted on 13 June 2009 by Andy Horwitz

BRENDAN CONNELLY
(co-founder/composer of Obie-winning Theatre of a Two-headed Calf)
&
LISA D’AMOUR
(Obie-winning playwright and performance artist)

BODY; SOUND; OBJECT; STORY
A workshop on stage presence for performers and theater-makers
workshop photos

This workshop delves into the idea of PRESENCE on stage (observing, reacting, simultaneity, interaction), drawing from the innovative work of Eugenio Barba, Joseph Chaikin, and S.I. Witkiewicz, as well as concepts from non-theatrical performance (free improvisation, sound poetry, performance art). How can theater-makers expand the possibilities of their voice and body to create extraordinary theatrical moments?

The two five-hour days will include exercises that are physical, vocal and text-based, as well as
discussions of related readings. Please be ready to sweat and think!

GREAT for actors, dancers, directors, performers and students looking to incorporate new ideas
and methods into their practice.

Very limited spaces available so reserve now!

To reserve a spot, email connellydamour@gmail.com

Fee: $200 (some tuition assistance available).

July 11 & 12 (Saturday & Sunday)
11am to 4pm

HERE Arts Center
145 6th Ave, SoHo
Entrance on Dominick Street
(just south of Spring Street)

For more on Brendan and Lisa check out: www.twoheadedcalf.org and www.lisadamour.com.

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